Three sculptural works for group exhibition at the Koppel Project, London. This body of work explores queer, diasporic identity through sculptural forms that act as soft armour -structures that bend, spiral and continually reshape. Their surfaces hold personal geography: silver fabric hand-dyed with stains from the grass and ground where I grew up, and nazar blue that forms a protective, atmospheric threshold. Across these shifting forms, softness becomes a mode of survival, tracing non-linear paths of movement, memory, and becoming.