Softening the Edges (2025)

Three sculptural works for group exhibition at the Koppel Project, London. This body of work explores queer, diasporic identity through sculptural forms that act as soft armour - -structures - that bend, spiral, and continually reshape. Their surfaces hold personal geography: silver fabric hand-dyed with stains from the grass and ground where I grew up, and nazar blue that forms a protective, atmospheric threshold. Across these shifting forms, softness becomes a mode of survival, tracing non-linear paths of movement, memory, and becoming.